Daily Tree Rubbings in Glass Box

I am Still In New York (2020)

I am Still In Japan (2021)

TIME (2021 ~ current)

Part 1 I am Still in New York

2020.4.20 - 2020. 8.22 (125days)

I Am Still In NY     2020    Washi, Charcoal, Glass, Tinned Copper

I Am Still In NY 2020 Washi, Charcoal, Glass, Tinned Copper

I Am Still in New York is a series I began during the early months of the COVID-19 pandemic.

On April 20, 2020, my flight back to Japan was canceled, and I found myself in a quiet, paused New York City. Every day, I walked my neighborhood and made tree rubbings on handmade washi paper. These simple actions helped me mark time and notice what remained unchanged. The trees stood, the birds sang, and nature continued on while the human world was in suspension.

73日目 7.1.2020 採集場所

73日目 7.1.2020 採集場所

Day 96    7.24.2020 Site Photo

Day 96    7.24.2020 Site Photo

Day 43    6.1.2020    Site Photo

Day 43    6.1.2020    Site Photo

Day 73    7.1.2020    Site Photo and Washi 

Day 73    7.1.2020    Site Photo and Washi 

Day 96     7.24.2020 Tree Rubbing on Washi

Day 96 7.24.2020 Tree Rubbing on Washi

Day 43    6.1.2020  Tree Rubbing on Washi

Day 43    6.1.2020  Tree Rubbing on Washi

“On the street,

in front of the beautiful house,

in trash,

with people,

by itself,

through a metal fence,

and so on.

Memories of

my neighbourhood trees,

captured in rubbings

thus

quietly breathe

within transparent boxes.”

I An Still In New York   Detail

I Am Still In New Yozrk Detail  

Each rubbing is placed in a handmade glass box, with edges reflecting the day's weather: silver for sun, gray for clouds, and black for rain. Engraved numbers quietly mark each box, serving as traces of time, place, and memory.

This project established the format I still use today: a 6.5 × 8 × 1.3 cm handmade glass box. In that time of isolation, recording each day helped me stay gently connected—to myself, the world, and time.

32_20168-site.jpeg
20168 5.21.2020 A beautiful sunny morning. Red roses, blue sky. Washi, Charcoal, Glass, Tinned Copper 8.5 x 6.5 x 1.3 cm

20168 5.21.2020 

A beautiful sunny morning. Red roses, blue sky.
Washi, Charcoal, Glass, Tinned Copper
8.5 x 6.5 x 1.3 cm

19_20089-site.jpg
20089 5.8.2020 Cloudy afternoon after rain.Washi, Charcoal, Glass, Tinned Copper 8.5 x 6.5 x 1.3 cm

20089 5.8.2020

Cloudy afternoon after rain.

Washi, Charcoal, Glass, Tinned Copper
8.5 x 6.5 x 1.3 cm

78_20405-site.jpeg
20405 7.6.2020 Rainy late afternoon. Washi, Charcoal, Glass, Tinned Copper8.5 x 6.5 x 1.3 cm

20405 7.6.2020 

Rainy late afternoon.
Washi, Charcoal, Glass, Tinned Copper

8.5 x 6.5 x 1.3 cm

Part 2 I am Still in Japan

2021.1.14 - 2021. 4.3 (81 days)

Installation view of I Am Still In Japan.
The work consists of 81 individual boxes, each measuring 8.5 × 6.5 × 1.3 cm, made with washi paper, charcoal, and glass.

With the lifting of travel restrictions due to COVID-19, the artist was finally able to leave New York and travel to Yokohama to care for her aging parents. However, during her stay in Japan, new travel bans were imposed—this time preventing her from returning to the United States.

As her time in Japan unexpectedly extended, Miyamori developed a new daily ritual: accompanying her 97-year-old father on walks from his care facility and collecting gyotaku (impressions from tree bark) together.

This series was created over 81 days—from January 14, 2021 (the artist’s birthday) to April 3, the day before she returned to her home and studio in New York.

This poetic project, which gently marks the passage of time while reflecting on Miyamori’s past, present, and future, became a process of evoking old memories—while also creating new ones.

Part 3 TIME

2021.10.11 ~ current

TIME

TIME is an ongoing art project by Keiko Miyamori that began on October 11, 2021. Although daily updates are shared on Instagram, the project itself is not digital. It is a handmade, physical record of time, memory, and presence, created quietly and carefully in the studio. Each rubbing and glass box is made by hand, with all soldering and assembly done by the artist. In this way, a daily routine is transformed into material form.

The project started when Miyamori’s father, then 97, was scheduled for cancer surgery. From that day on, she began taking two small bark rubbings each morning from the same tree. One of the rubbings is carefully chosen and placed in a handmade glass box. The edges of each box change color with the weather—silver for sun, black for rain, gray for clouds, and white for snow.

TIME unfolds both online and in physical exhibitions. Visitors are invited to select a piece that resonates with them and take it home. When a piece is chosen, the second rubbing from that day takes its place, preserved in a blue glass box. These blue boxes quietly mark moments of connection, memory, and recognition.

Some people choose a piece for its look, but many are drawn to a specific date—one that holds personal meaning, such as a birthday, an anniversary, or a moment of change. Everyone has such a day. Each piece becomes a small vessel for private memory.

Daily photos often include Miyamori’s father, her mother, and their therapy cat Maru, who passed away during the project. Later, a new kitten, Yoji, joined the family. Over time, her father passed away at age 100, and Yoji grew up. Life goes on—with joy and loss, birth and death, peaceful days and troubling times.

TIME began as a way to preserve the final chapter of her family’s life together. But it has grown into a meditative, open-ended archive. It invites us to slow down and reflect on time—not just as something that passes, but as something we live through and learn from. In a world that moves quickly, TIME quietly remains.

The daily Rubbings in Instagram https://www.instagram.com/keiko_miyamori/

TIME in exhibition The Sea of Memories, Rose’s Pride, Nakamuraya Salon Museum, Tokyo, Japan 2023

TIME in exhibition Keiko Miyamori, Kyokusyo Museum, Gifu, Japan 2024